A
version of this review appeared in The Age,
July 26, 2012.
Early
in LOL, the teenage heroine Lola (Miley Cyrus) strolls into the
family bathroom where her mother Anne (Demi Moore) and younger sister
are sharing the tub. While Lola prepares for a shower, Anne glances
over and reacts in mild horror: “Is that a Brazilian?” As
a modern young woman, Lola refuses to be judged on her grooming
choices: “It's my body and I'll take care of it how I want.”
It's
not a scene you'd expect to see in the average American teen movie.
In fact, LOL is a remake of a 2008 French hit of the
same title with the setting transferred to Chicago, still in the
hands of Lisa Azuelos, the original director. The
result is a curious mixture of gloss and emotional realism. Lola's
class at school includes enough glamorous young actors for a Gregg
Araki film (the single designated dork is played by Adam G. Sevani
from the Step Up series, who gets to perform a two-second
dance routine).
Love and sex are the topics that preoccupy most of
the kids, even the virgins such as Lola; meanwhile, the
divorced Anne has to grapple with her own romantic choices. The
whole thing works better than expected, mainly thanks to Cyrus, who
turns out to be pretty good at playing a pushy, bratty, yet basically
affectionate teenage girl. Even Moore manages to show more personality
than usual; there's a strong sense that both stars are dealing with
material close to home.

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